Метафора на техническия напредък или на безчовечното проливане на кръв? Чикагските кланици в американската и европейската култура

Автори

  • Kristina Popova Институтът за етнология и фолклористика с Етнографски музей при БАН image/svg+xml Автор

DOI :

https://doi.org/10.5281/zenodo.20964865

Ключови думи :

Slaughterhouse, Chicago, literature, popular culture

Абстракт

The book Slaughterhouse and Cultural Poetics: The Union Stockyards of Chicago in American and European Literature, Science, and Popular Culture by Katerina Krusheva sets out to reveal the dynamics and contradictions of the cultural meanings associated with the Chicago Stockyards. It analyzes an extensive corpus of travel accounts, memoirs, novels, and other literary works, as well as a wide range of visual sources – including photographs, advertisements, postcards, guidebooks, and comics – produced over a period of more than 150 years. This is a monumental scholarly achievement that traces the cultural representations of the Chicago Stockyards across different historical periods and through diverse literary and cultural discourses. Integrating literary texts, visual culture, and scholarly writing into a coherent analytical framework, Krusheva situates these representations within their broader social, political, and national contexts, while also exploring their gendered dimensions. Throughout the study, she illuminates both the shared patterns and the distinctive features that characterize European and American perspectives on the Chicago Stockyards.

Литература (библиография)

Kroucheva, Katerina (2023). Schlachthof und Kulturpoetik. Die Union Stockyards von Chicago in amerikanischer und europäischer Literatur, Wissenschaft und Populärkultur. Wallstein-Verlag GmbH, ISBN 10: 3-8353-5293-8 / ISBN 13: 978-3-8353-5293-3, 428 S.

Файлове за сваляне

Публикуван

2026-06-28

Брой

Раздел (Секция)

Book Reviews

Как да цитирате

Метафора на техническия напредък или на безчовечното проливане на кръв? Чикагските кланици в американската и европейската култура. (2026). BALKANISTIC WORLDS, 2(2), 286-291. https://doi.org/10.5281/zenodo.20964865